RODIN Events and EXHIBITION OVERVIEW 2003
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Check the date at the RODIN-WEB Calendar: MSIE
only.
See Exhibition overview for: 2001
2002
2004 2005
2006 |
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15 sep. 2002 - 15 jan. 2003
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"Victor Hugo vu par Rodin"
Musée
des Beaux-Arts et d'Archéologie Besançon
15 septembre 2002 au 15 janvier 2003 en coproduction avec La Maison Victor
Hugo, Place des Vosges à Paris
Le Musée des Beaux-Arts et d'Archéologie propose une
exposition qui met en scène la perception de Victor Hugo par les hommes
d'hier et d'aujourd'hui, et le culte, exceptionnel par son ampleur, qui
lui a été rendu. Aucune exposition ne s'est attachée à mesurer le
génie de Victor Hugo au travers du regard d'un autre génie, Rodin.
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22 Oct. 2002 - 26 Jan. 2003
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L’Antique est ma jeunesse - Musée Rodin
Les marbres grecs et romains de la collection
d'Auguste Rodin
From the Musée
Rodin Website:
Upon the occasion of the completion of the catalogue of
marble Greek and Roman statues collected by Auguste Rodin, the museum is
presenting an insight into the sculptor's collection. Dozens of marble
statues and copies in the Antique style, which were chosen from amongst
793 pieces of work, the majority of which are being exhibited for the
first time, have been taken from the store rooms. Today they bear
testimony, beyond their archaeological and aesthetic quality, to the
passion of the artist for antique art, to his desire to possess in the
last years of his life and to the links which he wove between his
sculptures and the artwork of the past. From 1893 onwards, Rodin started
to purchase antique objects from Parisian art-dealers, which he then
exhibited in his new house in Meudon. More rarely, some were given to him
by friends, artists or other collectors. At the same time, and as a
reference to Antiquity, he designed his own figures, which he separated
into groups, mutilating whole bodies and reassembling them in new
compositions.
From his personal collection, Rodin wanted to create a didactic museum for
young artists at the Villa des Brillants, and later at the hôtel Biron.
He made this wish come true for posterity by donating his collection,
together with the rest of his work, to the French state in 1916.
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26 Oct.- 26 Jan. 2003
www.kunsthalle-emden.de/
Photo: Bettina Rheims
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Der Akt in der kunst des 20. Jhd.
mit
Werken von Auguste Rodin, Bettina Rheims, Egon Schiele u.a.
Emden Kunsthalle
Hinter dem Rahmen 13
D-26721 Emden
Info-Telefon: +49 - 4921 - 97 50 0
Tel. +49 - 4921 - 97 50 50
Fax +49 - 4921 - 97 50 55
www.kunsthalle-emden.de
kunsthalle@kunsthalle-emden.de
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20. DeC. 2002 - April 2003
www.pmmk.be/
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Von Rembrandt bis Permeke
Ostende,
Museum für Moderne Kunst
Diese Ausstellung untersucht den Einfluß, den große
Vorbilder auf das Schaffen des flämischen Malers Constant Permeke hatten.
Dazu gehörten u.a. Rembrandt, Goya, Monet, Ensor, Rodin,
Munch, Picasso uvm.
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10 Nov. 2002
– 30 March 2003
Source:
www.hotelabbazia.it/
tedesco1/major_e.htm
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L'impressionismo e l'età di Van Gogh
Treviso:
Veranstaltungs-Tipp
für den Winter 2002-2003 in der Casa dei Carraresi:
eine Ausstellung über Vincent Van Gogh und seine Zeit.
Der Ausstellungszyklus, den Treviso dem Impressionismus
gewidmet hat, findet im Winter 2002-2003 mit einer Ausstellung seine
Fortsetzung, die als logische Folge des "La Nascita
dell'impressionismo" (2000) bzw. "Monet. I luoghi della
pittura" (2001) gilt. Thema ist der Zeitraum zwischen der ersten
Impressionismus-Ausstellung im Atelier Nadar im Jahr 1874 und der letzten
Ausstellung im Jahr 1886 bis zum Tod von Van Gogh im Jahr 1890, eine
Zäsur zwischen einer Welt davor und einer anderen Welt, die sich zur
endgültigen Bestätigung der französischen Kunst in jenen wunderbaren
fünfzehn Jahren hin öffnet. Die Ausstellung "L'impressionismo e
l'età di Van Gogh" umfasst rund 180 Werke, darunter Malereien,
Pastelle, Zeichnungen, Aquarelle, Gravurarbeiten, Bildhauerei,
Holzschnitzereien, Fotografien und historische Zeitschriften, welche die
Revolution der neuen Kunst zur Gänze bezeugen. Untergliedert ist die
Ausstellung in fünf Sektionen ("Impressionismo 1874-1882:
l'affermazione e la maturità", "Impressionismo 1883-1890:
l'ultimo tempo e la poetica puntinista", "L'idea
simbolista", "Rodin e Medardo Rosso"
und "Van Gogh"), die den Weg in diesen fünfzehn Jahren in
puncto technischer und poetischer Entwicklung verdeutlichen. Hier stellen
die Hauptvertreter dieser Kunstepoche aus: Jongkind, Boudin, Sisley,
Renoir, Pissarro, Manet, Cézanne, Degas, Gaugin, neben den Bildhauern Rodin
und Medardo Rosso. Überdies sind zwanzig Arbeiten von Van Gogh am Ende
der Ausstellung zu sehen. Ein Weg, der auf das Ende des Impressionismus
hinweist, als jeder dieser Protagonisten einen autonomen und unabhängigen
Weg eingeschlagen hat und als Van Gogh seine neue Welt mit einer Tatkraft
festigt, die ihn in die Mitte eines Weges stellt, der das Fundament der
Kunst des 20. Jahrhunderts bildet.
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Singapore Art Museum
Singapore
June 5 - August 25, 2002
Ringling Museum of Art
Sarasota, Florida
Oct. 12, 2002 - Jan. 5, 2003
Akron Art Museum
Akron, Ohio
Jan. 25 - May 18, 2003
Sioux City Art Center
Sioux City, Iowa
June 7 - August 31, 2003
University Art
Museum
University of Louisiana at Lafayette
Sept. 20, 2003 - Jan. 4, 2004
Philbrook Museum of Art
Tulsa, Oklahoma
Jan. 25 - March 24, 2004
Albright-Knox Art
Gallery
Buffalo, New York
April 17 - July 5, 2004
Munson-Williams-Proctor Institute, Museum of Art
Utica, New York
July 17 - Oct. 4, 2004
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"A magnificent Obsession"
Selections from the Iris and B. Gerald Cantor Collection
Press release: www.cantorfoundation.org/Exhibitions/ex1.html
"Rodin: A Magnificent Obsession, Sculpture from the
Iris & B. Gerald Cantor Foundation presents a survey of Rodin's
work and consists of about seventy-five objects including bronzes,
drawings, photographs, a model of the ten step lost-wax-casting-process,
and a 53 minute documentary which chronicles the casting of Rodin's
monumental work The Gates of Hell."
Catalog by Kirk Varnedoe, Antoinette Le Normand-Romain, Mary Levkoff e.a.;
Iris and B. Gerald Cantor Foundation
Published by Merrell Publishers limited — London 2001
ISBN 1 85894 144 - X
Review of the book by Sarah Lah:
www.artwrite.cofa.unsw.edu.au/0125/brain/
lah_book/Lah_Rodin.html
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Marianna Kistler
Beach Museum of Art
Kansas State University
Manhattan, Kansas
June 15 - August 25, 2002
Ball State
University Museum of Art
Muncie, Indiana
Sept. 14 - Dec. 11, 2002
Palmer
Museum of Art at The Pennsylvania State University
University Park, Pennsylvania
Jan. 14 - June 1, 2003
Iris
& B. Gerald Cantor Art Gallery
College of the Holy Cross
Worcester, Massachusetts
June 14 - Sept. 7, 2003
Saginaw Art
Museum
Saginaw, Michigan
Sept. 20 - Nov. 30, 2003
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"Rodin's Obsession: The Gates of Hell"
Selections from the Iris and B. Gerald Cantor Collection
"Rodin's Obsession: The Gates of Hell, Selections
from the Iris and B. Gerald Cantor Collection consists of
approximately thirty works relating to Rodin's most challenging and
perhaps most important endeavor.
The Gates of Hell (1880-about 1900) was Rodin's
first large-scale public project and consequently his most ambitious
commission. Originally conceived as an entrance for a museum of decorative
arts to be built in Paris, The Gates of Hell features hundreds of
figures modeled in high relief and in the round. Many of Rodin's most
famous independent sculptures, such as The Thinker, The Kiss,
and The Three Shades, were derived from this overwhelming
composition. Although the museum of decorative arts was never built, Rodin
continued to work on the project for many years."
Like nearly all shows featuring posthumous Rodin casts,
this exhibition was attacked by the Florida lithographer and gallerist
Gary Arseneau.
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